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Directed by Octavio Getino and Fernando E. Solanas, "The Hour of the Furnaces" is a landmark film in the history of third cinema that emerged from Latin America. Released in 1968, this Argentine documentary feature is notable for its radical and politically charged commentary on the socio-economic conditions of Latin America and its struggle against neo-colonialism. The film is divided into three parts: "Notes and Testimonies on Neocolonialism, Violence and Liberation," "Act for Latin American Liberation," and "Violence and Liberation." Each segment is designed to explore different themes related to inequality, resistance, and revolution.Octavio Getino and Fernando E. Solanas were not only filmmakers but also established theorists, especially known for their foundational work in articulating the principles of Third Cinema—a movement that sought to use cinema as a tool for political liberation, representing the voices of the oppressed. Their collaboration on this film is a testament to their commitment to using art as a form of activism. The two directors were heavily influenced by Marxist theory and the experiences of their own nation struggling under oppressive regimes, and this is reflected in their detailed and often confrontational style of filmmaking."The Hour of the Furnaces" gained critical acclaim for its innovative blend of documentary and dramatic techniques, making extensive use of archival footage, voice-over narration, dramatic reenactments, and a dissonant soundtrack to create a uniquely powerful viewing experience. Its influence was far-reaching, earning praise not just in Latin America but also in international festivals and academic circles. It was awarded the prestigious FIPRESCI Prize at the Venice Film Festival in 1968, among other recognitions, and continues to be a crucial study for those interested in political cinema and Latin American history.